Mia Eve Rollow  (b. 1984, Chicago)                                                                                    

Flavio Paniagua 82

Barrio Guadalupe

San cristobal de las casa chiapas, MX 29230

everollow@gmail.com

www.miaeverollow.org

www.edelo.org

 

 

EDUCATION

School of the Art Institute of Chicago, Masters of Fine Arts, Sculpture, 2009

University of Maryland, Bachelors of Fine Arts, Honors Program 2006

 

 

AWARDS

DUKE DORRIS GRANT EDELO – Arte Urgente, La Pena Cultural Center, Oakland, CA. 2016.

CREATIVE TIMES EDELO is Open Call Winner, NY NY. 2014

FENDENSEN GRANT EDELO Oaxaca MX. 2010 & 1012.

FULL MERRIT SCHOLARSHIP SAIC Chicago, IL. 2006-2009.

WHARTON AWARD First in Class Art Department, U of MD. 2006.

BELLEZA First is Class, Study Abroad, Florence Italy. 2005.

CREATIVE AND PERFORMING ARTS Full Scholarship, U of MD. 2002-2006.

 

 

EDELO MIGRANTE

Co-Director

Since 2014 EDELO behaves as nomadic collectives focusing on special projects with diverse communities.  Since 2014 I have been lead artist in

 

 

EDELO

Co-Founder / Co-Director 2009 -2014

Creator of experimental art space for community members and resident artists.   I co-ran the residency program for international artists and local communities that promoted collaborative exploration of diverse disciplines through intercultural exchange.  I co-ran special projects, workshops, assisted in curating, organizing, and directing exhibitions, multimedia events and art festivals.  I ran the children’s program for working and homeless youth, opened a safe house for people in urgent temporary need.  I run the poster series, videos, imagery and web design.  

 

 

EXHIBITIONS PERFORMANCES AND COMMUNITY COLLABORATIONS

LOS HUECOS DEL AGUA: ARTE ACTUAL DE PUEBLOS ORIGINARIOS / THE HOLES OF WATER : CURRENT ART OF ORIGINAL PEOPLES

Zapantera Negra embroidery is insalled in the Museo del Chopo de la Universidad Nacional Autonoma de Mexico, 2019.

 

UNTITLED IN PROGRESS Two month Residency and Short Film/Interview series created with Refugee Camp, West Bank, Palestine, 2019.

 

SHAI Short film created with Shai and Raginil Kumar, Gokarna, India, 2019.

 

RESISTENCIAS SONORAS / SOUNDING RESISTANCE Co-created with Oncogrrrls, Festival Tecnofeminista Cybogrrrls Cinema, DF, MX, 2019.

 

DO SILÊNCIO À MEMÓRIA, Zapantera Negra, Paco das Artes Sau Paulo Brazil.

 

UN MUNDO DONDE CEPAN MUCHOS MUNDOS / A WORLD WHERE MANY WORLDS FIT

This was the first exhibition of original Zapatista artwork in Cuba, Zapantera Negra was an invited artist, Large embroidery Installation, Casa de las Americas, Havana, Cuba, 2018.

 

SANTOS / SAINT

Community social sculpture performance and pchyco magic actions, Zapatista community Elambo Bajo, 2018.

 

PRIMER ENCUENTRO INTERNACIONAL POR MUJERES QUE LUCHAN / 1ST INTERNATIONAL GATHERING FOR WOMEN IN RESISTANCE

Speaker in Disability Lecture, Directed a performance between persons with disability and Zapatistas, Morelia Caracol, Chiapas, 2018.

 

A DECOLONIAL ATLAS: STRATEGIES IN CONTEMPORARY ART OF THE AMERICAS

Video Series of Arte Urgente in traveling group exhibition:

-Union College, Mandeville Gallery, Schenectady NY, NY, 2018.

-Tufts Universary Art Gallery, Medford, MA, 2017.

-Vincent Price Art Museum, Los Angeles, USA. 2017.

 

OUTBURST

EM Wolfman Books, Screening Video Documentation of Intierro, Oakland CA, USA, 2017.

 

KLANGHAUS

Z-Space, Screening Video Documentation of Boleros, San Francisco CA, USA, 2017.

 

ARTE URGENTE

Mayan & Zoque Performance Group creates Edelo Migrante Arte Urgente Colective, MUY Galeria, Chiapas MX. 2016.

 

ZAPANTERA NEGRA

Artistic encounters between the Black Panther Minister of Culture, Zapatistas and other artists from the Americas to create community murals and myriad art pieces for traveling exhibitions, presentations, and cultural exchange.

2011 – Present.

 

COMPARTE  - ZAPANTERA NEGRA MURAL

Zapatista conference for artist & scientists, University of the Earth, Chiapas MX. 2016.

 

EL OTRO LADO

Icons & Symbols of the Borderland, Video Screening in Group Show, Juntos Art Association, Mexic-Arte Museum, Austin TX. 2016.

 

SOMOS ANIMALES

Artist in Residence at Piña Palmera Centro de Atención infantil, A.C

Created mural performances with community members. 2016.

 

RESISTENCIAS SONORAS

Co-Director of Performance Laboratory with Oncogrrrls

One-month creating collaborations with women/trans with breast cancer at La Gozadera, DF, MX. 2016.

 

CO-ARTISTIC DIRECTOR IN ROTATION FOR THE RED POPPY ART HOUSE

Created community workshops, exhibitions and programming surrounding issues of Black Lives Matters, gentrification and homelessness in the Mission for six months, San Francisco, CA. 2015.

 

RESURFACING

Group Show, Mission Cultural Center San Francisco CA. 2015.      

 

LIVING MEMORY

Making a Scene, Group Show, Somarts, San Francisco CA. 2015.

 

MUNECA

Artist in Residence at Piña Palmera Centro de Atención infantil, A.C

Created giant "disabled" puppet with community members and marched through the town Center Pochutla. 2015.

 

NO SOY / I AM NOT

Centro Hemesferico Encuentro Montréal, Performance carrying our prosthetics and wheelchairs on our backs up three flights of stairs and back down durring an unaccessible event, Disability Group, Canada. 2014.  

 

CENTRO HEMESFERICO ENCUENTRO MONTRÉAL

Zapantera Negra is invited to exhibit, Canada. 2014.    

 

LA BUSCADA / THE SEARCH

Durring a three week residency I was lead artist in realizing mural interventions with family members, students and local youth on the trucks of corporations "borrowed" by the students from the rural school, Normal Raul Isidro Burgos de Ayotzinapa, Guerrero, as a form of pressuring the return of the 43 students alive from the Mexican government. 2014.

 

PERSIGUIENDO A LA BESTIA / CHASING THE BEAST

Myself and two other artists, as Edelo Migrante, begin at the Suchiate River which acts as the border between Guatemala and Mexico, and travel north to two safe houses, creating a collaborative, multimedia and documentary project with the South American refugees traveling the migrant routes through Mexico.  *We plan to visit ten additional safe houses along the path north with the awarded Creative Capital recieved for this project in 2020.    

 

DRAWING SESSIONS

Hosted and organized community drawing sessions and installations, Edelo Chiapas MX. 2009 – 2014

 

IN MOTION

Utah Museum Of Contemporary Art, Group Show, Salt Lake City Utah. 2013.

 

LIMOSNA - NOMADIC PAINTING STUDIO/STORE

Collaboration with Family Xun, Chiapas MX. 2013.

 

GALLO / CHICKEN

Collaborative Video Performance with Aurelliano, Chiapas MX. 2013.

 

EL PLANTON

Lead Artist in a month long art workshop series of crafts and traditional sewing with local and international artists, Chiapas MX. 2013.

 

FEMINICIDIO / FEMICIDE

Live Mural using cartooning and Plant Pigment in Collaboration with Community, Chiapas MX. 2013.

 

MI CUERPO HECHO DE MAIZ / MY BODY IS MADE OF CORN

Creating corn legs with amputee Manuel, Chiapas, MX. 2013.

 

ARTE URGENTE

Exhibit, La Galeria, Chiapas MX. 2012.

 

PADRE NO ME PEGUES / FATHER DON’T HIT ME

Community Performance, Central Plaza, Chiapas MX. 2012.

 

VOLANDO / FLYING

Video Performance in Collaboration with local Mayan Artists. Chamula Chiapas MX. 2012.

 

CHI CHI / TITIES

Ten-day workshop and Performance w Cecilia Martinez, Chiapas, MX. 2012.

 

AUTONOMOUS INTERGALACTIC SPACE PROGRAM

Lead Artist RIGO 23. EDELO became Space Center for six months hosting more than 100 local and Zapatista artists.  Later install in Red Cat Gallery, LA. 2012.

 

INTIERRO / BURIAL

Day-long performance with La Otra Campaña community, El Ambo Chiapas MX.  2011.

 

UNA MONEDA

Performance with La Pocha Nostra, Ex Teresa, MX. 2011.

 

ALMA MIA

Ten-day workshop culminating in a three-day performance, Piña Palmera Centro de Atención infantil, A.C, Oaxaca MX. 2011.

 

AMPUTATIONS VS. NATURAL HEALING

Body Transformations, University of Baltimore Hospital, MD. 2011.

 

POLITICAL PRISONERS

Participating Artist in a three-week public performance with family members in response to a political prisoners hunger strike occupying the central plaza, Chiapas MX. 2011.

 

BOLEROS / SHOE SHINERS

Three-week workshop of social sculpture with shoe shiners culminated with a four-hour public performance intervention, Chiapas MX. 2010 & 2013.

 

ARTE AUTONOMO

Participating Artist in three-day arts festival in collaboration with La Otra Campaña community of Elambo Bajo, Chiapas MX. 2010.

 

NO PASA NADA / NOTHING HAPPENING

Installation and Community Performance, Galeria el Cerillo, Chiapas MX. 2010.

 

ROBOTIKKKS ?

Exoskeleton guinea pig culminating in performance for engineers, NASA & Institute for Human and Machine Cognition, Robotics Lab, Pensacola FL. 2010 & 2013.

 

LONARTE

Public Art Piece, Calheta Madeira, Portugal. 2010.

 

WHERE THE UNITED NATIONS USED TO BE

Red Poppy Art house, EDELO Poster Series Exhibit, San Francisco, CA. 2010.

 

TIERRA POR ORO, BELLESA POR TERROR - 24Horas

EDELO Inauguration, Multimedia Exhibition with over 50 Local and International Artists, Chiapas MX. 2010.

 

TIDE

Sullivan Galleries, Thesis Exhibit, School Of The Art Institute of Chicago IL. 2009.

 

BODY

Video Performance, Death Valley, CA. 2009.

 

BALLSUIT

Bodysuit and Public Performance, Chicago IL. 2008.

 

PRAY

Collaborative Public Performance, Chicago, IL. 2008.

 

EVE

Hillyer Art Space – Exhibit, Washington DC. 2007.

 

DEATH AND BACK

Body Transformations, Chicago IL. 2007.

 

KATRINA

Hong Kong University of Science and Technology, Exhibit with Foon Sham, Hong Kong. 2006.

 

 

 

LECTURES AND PUBLICATIONS  

 

DISABILITY IN SAN CRISTOBAL, Invited Speaker, La Ensenansa, San Cristobal, Chiapas, 2018.

 

SUBTERRANEA AL ESPACIO, Visiting Artist, Artist League, Montgomery College, MD. 2017.

 

ART AS A SOCIAL FORCE: THE EXPERIMENTAL EXERCISE OF FREEDOM, Visiting Artist, SAIC, Chicago, IL. 2016.

 

ZAPANTERA NEGRA BOOK, Common Notions, New York, NY. 2O16.

 

COMPARTE, Zapatista Conference, Zapantera Negra Presentation, Chiapas, MX. 2016.

 

ART AS A DIGNIFIED REBELLION, Visiting Artist, Montgomery College, MD. 2O16.

 

HEMISPHERIC INSTITUTE OF PERFORMANCE AND POLITICS Zapantera Negra Presentation, Montreal, Canada. 2014.  

 

UNA MONEDA, La Pocha Nostra Video Performance Featured in Bestias Danzantes Festival de Cine & Danza 2015.

 

20 YEARS AFTER NAFTA MANY WORLDS ARE POSSIBLE, Creative Time Reports. 2012.

 

CREATIVE TIME SUMMIT, EDELO Presentation, New York, NY. 2O12.

 

EDELO, Artist talk, International Honors program, MX. 2O11.

 

ART AND BODY, Visiting Artist, Montgomery College, MD. 2010.

 

MAÑANA SERIA MEJOR, Book Illustration for Poet Francisco Duarte. 2010.

 

OUT OF BALANCE, Grad Talk, SAIC, Chicago, IL. 2009.

 

WORD, Monthly guest speaker on Radio Series Juliana Pivato, SAIC, IL. 2009.

 

 

 

TEACHING EXPERIENCE

 

GRADUATE PERFORMANCE COURSES

Rigo 23’s substitute teacher, SFAI, CA. 2015.

 

OUR BUILT CITY

Taught community workshops surrounding issues of Black Lives Matters, gentrification and homelessness in the Mission, San Francisco, CA. 2015.

 

AYUDARTE

Pioneered/Coordinated/Lead Teacher for Art/Food Program for working youth, EDELO, MX. 2009-13.

 

ART TEACHER

For children with mental Handicap, Piña Palmera Centro de Atención infantil, A.C. MX. 2009.

 

ASSISTANT INSTRUCTOR

Sharp Instructional Wood Shops, SAIC, IL. 2007.

 

 

 

PRINTED PRESS

 

MISSION LOCAL

Artists, Residents shape gentrification as they see it, J.J Barrow, JUNE 2015.

 

THE GUARDIAN

Chronicle of a Death Untold, Oliver Laughland, June 2015.

 

SF CHRONICLE

Big, little S.F. arts groups bury hatchet, divvy up city money, Emily Green, May 2015.

 

EL TECOLOTE

Zapantera Negra at SFSU. January 2013.

 

MIRADA SUR

Zapantera Negra, August 2012.

 

MIRADA SUR

Para Quien Exige La Mejor Information, Victor Vieyra Santamaría, November 2011.

 

DIARIO DE CHIAPAS

Arte en Todo Chiapas, Jeny Pascacio. September 2011.

 

CUARTO PODER

Tierra Por Oro Belleza Por Terror, Victor Vieyra Santamaría, June 2010.

 

 

BIOGRAPHY

 

Mia Eve, native to Chicago, is a multidisciplinary artist.  After receiving her masters degree from the School of the Art Institute of Chicago in 2009, she moved to Chiapas Mexico where she Co-founded EDELO (En Donde Era La Onu/ Where the United Nations used to be).  EDELO was a community art center and intercultural artist residency that behaved as an art laboratory of collaboration for people coming from different sides of life.  Mia Co-Directed the space for five years until its physical closing in 2014 when EDELO turned into EDELO Migrante, now a conceptual space, one that forms collectives of artistic collaboration with diverse communities; art that is for and from the people.   Mia Eve specializes in social practice, community performance, social sculpture, installation, video, painting and drawing.  She derives much of her inspiration from shamanic traditions that she has participated in from Mexico, Native American Traditions, and Santeria from Cuba.  

 

Several highlights of her work has been: Through EDELO, she created a project Zapantera Negra, in collaboration with Emory Douglas, Rigo 23 and Caleb Duarte.  Zapantera Negra unites Zapatistas (EZLN) with Black Panther Party esthetics to investigate the use of the body and visual culture in both distinct political and artistic movements.   Mia Eve endured a Spinal Cord Injury in 2007 leaving her paralyzed from the waist down.  Since then she has created many artworks with people with different abilities throughout Mexico as well as in India and Palestine, empowering these communities within which she works.

 

 

 

EDELO

In the winter of 2009, over one hundred displaced indigenous community members occupied the offices of the United Nations, located in San Cristobal De Las Casa, Chiapas Mexico. The offices where taken over in hopes of gaining international attention from humanitarian organizations. After three months of the occupation, the United Nations simply decided to find another building and moved.

 

A few months later, two artists, Mia Eve and Caleb Duarte Pinon, had become disillusioned with the institutional proposed purpose of art, wished to believe that art could be a radical form of communication, and soon moved into the building and began an experimental art space and an international artist residency of diverse practice.  We began to invite artists, activists, cultural workers, inventors, healers, gardeners, PhDs, jugglers, and educators to take part in creating an experiment on activism and art. This group of artists, disenchanted by the continuing linear path of art history, came to EDELO in favor of art as a vehicle for possible transformation.

 

Inspired by the 1994 Indigenous Zapatista uprising, where word and poetry are used to inspire a generation to imagine “other” worlds possible, EDELO has retained the name of the UN. It is a part of an investigation of how Art, in all its disciplines and contradictions, can take the supposed role of such institutional bodies:  in creating understanding, empathy, and to serve as a tool for imagining alternatives to what seem to be a harmful and violent system that we have come to accept.

 

 

 

EDELO Migrante

Since 2014, Edelo Migrante behaves as nomadic collectives focusing on special projects with diverse communities.

 

EDELO migrante has directed artistic projects in La Piña Palmera a rehabilitation center in Zipolite Oaxaca; has created sculptural presentations with female cancer patients in Mexico City; has followed the migratory route of Central America and worked in two houses of protection for immigrants located in Tapachula Chiapas and in Tenosique Tabasco; has developed a collaborative project with teachers and students in Ayotzinapa, Guerrero México; has exhibited at the Hemispheric Center Institute in Montreal Canada and at the Museum of Contemporary Art in Utah; Edelo Migrante has been a guest lecturer at the San Francisco Art Institute, the University of New Mexico, The School of the Art Institute of Chicago, and the University of California at Santa Cruz. Edelo was also invited to participate as artistic directors in rotation at the Red Poppy Art House in San Francisco CA.

 

 

In this way Edelo Residencia has become a nomadic project creating collaborative work among the community, conducting exhibitions and organizing cultural events that seek to reflect traditions, values and strengths of the community it serves.